Using two Punjabi phulkaris embroidered by a relative around 1925 as a starting point, Bay Area artist Kira Dominguez Hultgren traces themes of colonialism, contemporary exoticism and craft in I Was India: Embroidering Exoticism. Her woven work, large-scale and vibrant, incorporates a variety of textures and materials, including climbing rope, wool, Indian cotton and Chinese … Continue reading ‘Embroidering Exoticism’ at San Jose Museum of Quilts & Textiles
↧